Analysis of a Protagonist with Multiple Disabilities in an Ethiopian Film: Alabedkum (I Did Not Lose My Mind) in Focus
Keywords:
Disability representation, Critical Disability Theory, Alabedkum, Ethiopian cinema, intersectionality, social marginalizationAbstract
The study examines how the protagonist with multiple disabilities, Samson, is portrayed in the Amharic film Alabedikum. It also analyzes how the film challenges representational biases in Ethiopian cinema. To achieve this, the study employs qualitative methods such as textual and thematic analysis by utilizing mainly on narrative structure, dialogue, though visual presentation is included in a few moments. Critical Disability Theory (CDT) is used as a theoretical framework to analyze both Samson’s character and the lived experiences of PwDs in the Ethiopian context. By portraying Samson's agency and intersectional identity, the film primarily critiques the prevailing assumptions towards PwDs. It portrays him as a morally compassionate and resilient person who is committed to supporting marginalized individuals. However, it occasionally perpetuates cultural stereotypes like the "supercrip", ridicule, and violence. The study also addresses the themes of discrimination and social marginalization. Thus, it promotes supportive and culturally responsive narratives to increase awareness of people with disabilities (PwDs). The study calls for more empathetic, intersectional, and inclusive portrayals in Ethiopian context that challenge biased societal attitudes.