áˆáŒ…áŠá‰µ በ“ዘላን†እና “አለንጋና áˆáˆµáˆâ€á¤ ሥአáˆá‰¡áŠ“á‹Š ንባብ
Abstract
á‹áˆ… ጥናት የአዳሠረታ ስራ ከሆáŠá‹ “አለንጋና áˆáˆµáˆâ€ የአጫáŒáˆ እና ኖቬላ áˆá‰¦áˆˆá‹¶á‰½ መድበሠá‹áˆµáŒ¥ በተመረጡ áˆáˆˆá‰µ ቴáŠáˆµá‰¶á‰½ (“ዘላን†እና “አለንጋና áˆáˆµáˆâ€) ላዠየሥአáˆá‰¡áŠ“ ንድሠሃሳቦችን áˆá‰¹ በሆአስáˆá‰µ በማáˆáˆ˜á‹µ የተደረገ áŠá‹á¡á¡ በቴáŠáˆµá‰¶á‰¹ á‹áˆµáŒ¥ የተቀረጹ áˆáŒ… ገဠባህሪያትን ከማኅበረ-áˆá‰¡áŠ“ዊና ‹‹ሳá‹áŠ®áˆ´áŠáˆ¿áˆâ€ºâ€º ማንáŠá‰µá£ ‹‹ኤዲáሳዊ ቅዠት›› (Oedipus complex) እና ‹‹áቅዓተ-ኢጎ›› (splitting of the ego)ᣠየጨቅላáŠá‰µ ‹‹áŒáŠ•á‰µáˆ®áˆ½â€ºâ€º (fixation) እና የáˆáˆˆá‰µ ሰብዕናዎች መቃየጥ አንጻሠለመመáˆáˆ˜áˆ ተሞáŠáˆ¯áˆá¡á¡ እንዲáˆáˆ ከáˆá‹© áˆá‹© ሚቶሎጂዎች የተቀዱ መባያዎች ሰብዕናን መáˆáˆáˆ® ለማሳየት ትኩረት ተደáˆáŒŽá‰£á‰¸á‹‹áˆá¡á¡ ጥናቱ ወዲህ በቴáŠáˆµá‰¶á‰¹ á‹áˆµáŒ¥ የተቀረጹ áˆáŒ… ገဠባህሪያት የብቸáŠáŠá‰µá£ የመከዳትና የመጣሠስሜት የሚስተዋáˆá‰£á‰¸á‹ እንደሆኑᣠወዲህ á‹°áŒáˆž የአሳዳጊዎቻቸዠሚና አáራሽ መሆኑᣠየጨቅላáŠá‰µ ‹‹ሳá‹áŠ®áˆ´áŠáˆ¿áˆâ€ºâ€º ዕድገት የ‹‹áŒáŠ•á‰µáˆ®áˆ½â€ºâ€ºáŠ“ የ‹‹ሣቃዪ áለሳ›› (sadistic displacement) ማደሪያዎች እንደሆኑ ተብራáˆá‰·áˆá¡á¡ ስለሆáŠáˆá£ በእáŠá‹šáˆ…ና በትንተናዠá‹áˆµáŒ¥ በ“ተዘáŠá‰â€ ሃሳቦች áˆáŒ†á‰¹ ማኅበረ-ባህላዊ ኃላáŠáŠá‰µáŠ• መሸከሠየማá‹á‰½áˆ‰ እንደሆኑ ለማጠቃለሠተሞáŠáˆ¯áˆá¡á¡ በመጨረሻሠበቴáŠáˆµá‰¶á‰¹ á‹áˆµáŒ¥ áˆáŒ†á‰¹ የተቀረጹትᣠማኅበረ-ባህላዊ ስáˆá‹“ቶችና ተáˆáŒ¥áˆ¯á‹Š ማንáŠá‰¶á‰½ በመጎራበት áŠá‹ ብሎ ማጠቃለሠá‹á‰»áˆ‹áˆá¡á¡References
ዎድሮስ ገብሬ (2001):: በá‹áŠ ዲሲá•áˆŠáŠ“á‹Š የሥአጽሑá ንባብá¡á¡ አዲስ አበባᣠአዲስ አበባ ዩኒቨáˆáˆ²á‰² á•áˆ¬áˆµá¡á¡
የኢትዮጵያ መጽáˆá ቅዱስ ማኅበሠ(1962)á¡á¡ መጽáˆá ቅዱስ የብሉá‹áŠ“ የáˆá‹²áˆµ ኪዳን መጻሕáትá¡á¡ አዲስ አበባᣠብáˆáˆƒáŠ•áŠ“ ሰላሠማተሚያ ቤትá¡á¡
የኢትዮጵያ ቋንቋዎች ጥናትና áˆáˆáˆáˆ (1993)á¡á¡ የአማáˆáŠ› መá‹áŒˆá‰ ቃላትá¡á¡ አዲስ አበባ ዩኒቨáˆáˆ²á‰²á£ አáˆá‰²áˆµá‰²áŠ ማተሚያ ቤትá¡á¡
አዳሠረታ (2004)á¡á¡ አለንጋና áˆáˆµáˆá¡á¡ አዲስ አበባᣠáˆáŠ†á‰¦á‰µ አታሚዎችá¡á¡
ኪዳአወáˆá‹µ áŠáሌ (1948)á¡á¡ መጽáˆáˆá¡áˆ°á‹‹áˆµá‹á¡á‹ˆáŒáˆµá¡á‹ˆáˆ˜á‹áŒˆá‰ á¡á‰ƒáˆ‹á‰µá¡ áˆá‹²áˆµá¡á¡ አዲስ አበባᣠአáˆá‰²áˆµá‰²áŠ ማተሚያ ቤትá¡á¡
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